The Great God Pan

January 10, 2017 at 6:00 pm (Reads) (, , , )

panThe Great God Pan by Arthur Machen

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Whenever I read these older works of fiction, I feel the need to do more of an analysis of them than I do on modern fiction. It’s a holdover from my English classes, I think; these are works less to be enjoyed, and more to be analyzed. I felt the same about The Monk and Edgar Huntley, but I’m not sure what to say about The Great God Pan, other than the fact that it’s a precursor to the weird horror that Lovecraft popularized.

The story is about a young woman who undergoes a procedure to allow her to see the great god Pan; unfortunately, as soon as she sees him, she goes insane. From that point, the story follows an observer to the procedure, who, years later, is trying to convince the public of the existence of the devil after hearing lurid stories of a young girl who spends her days in the woods with strange creatures. At the end of the story, we learn that this young girl, who grows up to be a woman whose associations with men drive them to suicide, is the first woman’s daughter, and it’s suggested that she is the daughter of Pan.

Stephen King has written that this story is one of the finest horror stories ever written, and I’m not sure if I would agree. It’s certainly effective in its suggestion of horror over any overt scenes of horror, but the conclusion seems obvious once the story gets going, so it’s easy to see where it’s going and what everything means. It was controversial during its time for its suggestion of sexual activity, but it’s tame compared even to The Monk, which was written previous to this story. What sets it apart is how Machen wrote about unnameable horrors as opposed to devils and demons, and I suppose its place within the timeline of the horror genre is what makes it significant. It ushered in the wave of weird horror that Algernon Blackwood and H.P. Lovecraft wrote so well.

The Great God Pan isn’t a difficult read, nor is it a long one; it’s just not as interesting as I had hoped. A suggestion of horror is fine (I prefer it, in fact), but there needs to be some specific sort of horror to scare us with these kinds of stories. Machen went a little too subtle here, and the story suffers for it.

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